95. Avril Lavigne 'Wish You Were Here'
I have a strange relationship with the clone who replaced Avril in 2004. On the one hand her music, spotty at best since The Best Damn Thing, has been spiralling in quality terms. But there is something about her I can't help rooting for - perhaps I just really like her voice. Or perhaps it's the fact that, every now and then, she unleashes something like Wish You Were Here, a really straightforwardly emotional song about just missing someone a lot. It's a nice throwback to that time when guitars were not banned from pop and it's basically my go-to Avril moment these days. Just lovely.
94. Solange 'Losing You'
I was pretty late to this train, and quite surprised to find out that it basically didn't chart anywhere (except #9 in Denmark - come through!). One of those songs which is really entirely simple - that slinky, repetitious disco beat really gets under the skin. In another timeline it was number one for five weeks. I do respect what she's doing now but a return to something more immediate and less important wouldn't go amiss either.
93. Delta Goodrem 'Sitting on Top of the World'
There are a lot of songs like this in the lower half of this list - stuff I hammered to living death back in the day, and rarely touch these days. But when sun is shining and the mood takes me, Sitting on Top of the World totally hits the spot - not enough pop music is this propulsive, infectious or effortlessly melodic. Every segment flows with beautiful ease into the next, it's superbly well written, and Delta gives easily one of her best vocal performances here - the adlibs over the outro are pure joy. When it's over I even feel a tinge of melancholy. I don't know if she can actually be arsed to try and make music like this anymore (or indeed, to make music at all), but for an artist with such a stop-start career and quite a few properly great songs in the back cat, it still feels like there's untapped potential there.
92. London Grammar 'Strong'
Excuse me for a while, while I'm wide-eyed and I'm so damn caught in the middle
I always like it when an act like London Grammar - so clearly a universe apart from the tastes which dominate radio and popular music - catches the public imagination. Sometimes talent is just too undeniable to ignore, and the voice on Hannah Reid really is something else entirely. This is not her final appearance in this list, as you'll find out when I finish it (isn't it ironic? don't you think?), but I do believe Strong is something close to a masterpiece, and when I'm in a certain mood it really speaks to me. Even though I have literally no idea what it's about. Probably just have wikied that shit before I did this write-up.
91. Jennifer Lopez ft. Pitbull 'On The Floor'
And just to remind you that my tastes span the entire spectrum from (mildly) high-brow to lowest common denominator, here we have On The Floor, the most recent and surely final global chart-topper from Jennifer Lopez (although if anyone could score a major hit at 50, I'd put money on it being pop's ultimate queen of hustle). Everything about On The Floor is absolutely ludicrous, not least the degree to which it slaps, but also standout hot lyrical moments like "if you're a criminal, kill it on the floor" (disclaimer: J.Lo does not endorse massacres at the discotheque). Maybe what I like most about it is that its huge success promptly did away with any questions of whether Jenny from the block was really a legendary 00s pop diva - when you cash in your comeback card in this fashion, you know you're a member of the club.