Cerro de Casa
User
- Joined
- Feb 3, 2004
- Messages
- 68,342
NOT tomorrowAll I'll say is thank goodness for @Suedey and justice 4 Made For Now
NOT tomorrowAll I'll say is thank goodness for @Suedey and justice 4 Made For Now
- janet.
- Rhythm Nation 1814
- The Velvet Rope
- Damita Jo
- Control
- Discipline
- Janet Jackson
- Unbreakable
- All for You
- Dream Street
- 20 Y.O.
[2020]we should have listened![/2020]NOT tomorrow
there are days when i think miss you much is my favourite song ever and today is one of those days.
can't quite believe it still sounds so sharp and tight. tremendous.
also, where are @monsta's janft classics?
Yes, same. Maybe it’s my/our age though. I remember hearing about her and Rhythm Nation being shown on TOTP/The Chart Show one time, which was the first time I realised Michael Jackson had a singing sister. I know her first album was in 1982 and of course knew them all later, but when people refer to Janet as one of the 1980s superstars alongside Madonna and Whitney, it doesn’t register as she was far more of star in the 90s. It’s definitely a case of personal perception though as she clearly played concert arenas for the RN1814 tour. I was just too young and more in to New Kids on the Block at the time
Was she in some kind of dispute with the record label during janet? Looking back it’s a bit odd that they only really properly promoted two of the singles, after coming off a strategy of releasing almost the entire album of Control and Rhythm Nation. They also only included 2 tracks from it on the greatest hits a couple years later. Ironic given the album had about 9 potential singles.
Definitely an age thing. I don’t remember Control at all as I was too young. But True Blue and Whitney’s debut for example which I was also too young to recall when they were out, they continued to reach my age group just a couple of years later, whereas Janet was just about what she was currently doing.I don’t necessarily agree. Control was everywhere at the time and Rhythm Nation 1814 was bigger than the singles suggested over here. The singles all got lots of airplay. I think the fact she didn’t come here to promote (at all? Or much at the very least) could give that perception though.
Definitely an age thing. I don’t remember Control at all as I was too young. But True Blue and Whitney’s debut for example which I was also too young to recall when they were out, they continued to reach my age group just a couple of years later, whereas Janet was just about what she was currently doing.
I adored Control and had it on vinyl, but then I was into music rather young (I was 8). It really is wall to wall greatness- I even love the ridiculousness of “He Doesn’t Know I’m Alive”.
I first heard Black Cat as a Kéllé Bryan live cover on an Eternal single b-side
Did I miss that one? I think I only did Janet.I think the All For You Moopy sync listen is one of my favourite sync listens of all time
All for You has plenty of great moments (the title track, "Someone to Call My Lover", "Trust a Try", "You Ain't Right", "Come on Get Up", "Feels so Right", "Better Days" are all great) but is dampened by a few too many sex tracks and lacks the depth of a Velvet Rope. Damita Jo is her most approachable album of the 2000s. So many bops. So many great mid-tempo R&B moments. It really struck a perfect balance. The issue is it didn't have any hits - irrespective of the Superbowl I'm not sure I could see anything from it taking off majorly. And she was 38 so radio was going to be an uphill battle from that point on, at least in America.
20 Y.O. is of course dreadful but you can see she was pressured to get radio back on board with stuff like "Call on Me" (and then the budget ran out and Khia was called). "Enjoy" is a redeemable moment. I do kind of do enjoy the occasional "Get it out Me", "So Excited" etc if I'm seeking trashy mid-2000s R&B nostalgia but I rarely am.