Melodifestivalen 2025: Deltävling Five (Jönköping) (2 Viewers)

VoR

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Last week, Måns Zelmerlöw had his Carola moment, some incongruously dapper Sverigefinnar waxed lyrical about the non-sexual joys of the sauna, and poor Andreas Lundstedt was viciously cast out in fourth. It kind of feels like everything's already leading to a fairly obvious conclusion, but there is still one more heat to get through. Here are your final batch of runners and riders.

1. Arvingarna - Ring Baby Ring
(Stefan Brunzell, Thomas G:son)
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Looking like the first four profiles you scroll past after opening Growlr in the middle of downtown Stockholm, the good ole' boys of Arvingarna have enjoyed quite the comeback over the past decade, with two popular finalists in 2019 and 2021. They've basically cornered the market in likable dansband dad-pop to which everyone can merrily wave a balloon, without worrying about the remotest threat that they might actually go to Eurovision. With G:Son and former Friends frontman Stefan Brunzell on writing duties, expect much the same again from Ring Baby Ring. It'd be quite the shock to see them missing the top 3 this weekend.

2. Arwin - This Dream of Mine
(Anderz Wrethov, Arwin Ismail, Jimmy "Joker" Thörnfeldt, Julie "Kill J" Aagaard, Peter Boström)
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Quite a crack team of songwriters behind this one, considering he appears to be a fairly random 17 year old kid with no national profile to speak of.The look and the emetic song title are worryingly giving Bishara 2.0, but a quick Spotify sample was, while ultimately nondescript, a lot more likable than I expected. He does describe his preferred genre of music as 'cinematic synth pop' so perhaps this won't be a total write off.

3. Saga Ludvigsson - Hate You So Much
(Lisa Desmond, Herman Gardarfve, Saga Ludvigsson)
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Somebody on the Melfest selection committee this year really is determined to make country music 'happen', because here's another bloody one. She had a run on Swedish Idol in 2023, in which her most notable moment was a decent cover of Dolly Parton's Jolene. Her solo material since then has leaned into that country-pop vibe. The song title sounds fun, but other than that the tea leaves are reading MOR for this one.

4. Victoria Silvstedt - Love It!
(Thomas G:son, Jimmy Jansson)
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Now we're talking :disco:

Arguably the most 'real world' famous contestant to land on the Melfest stage in a while, Victoria Silvsedt was a successful model in the 1990s, with a brief sojourn into releasing one of the greatest pop albums of all time in 1999. Since then she's mostly been living it up in Monaco and doing various faded celebrity reality TV things, so this is a pretty big gig for her and also a great bit of tabloid fodder for Melfest. It remains to be seen whether she can channel the ineffable star quality of last year's big reality TV booking, La Gunilla, but it's bound to be something to see either way.

Also, given the writing of this year's show has gone big on nostalgia, I also wouldn't be surprised if Christine Meltzer showed up a some point in the show to reprise her old parody of la Silvstedt's allegedly highly affected dumb blonde routine. MMM BABY! :disco:



5. Vilhen Buchaus - I'm Yours
(Vilhelm Buchaus, Elias Edman, Jonatan Lahti, Simon Alexander Ward)

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Nothing much is known about this cheerful looking gentleman. He's 23, he competed on Lila Melfest (JESC but just for Swedes) in 2013, and none of his songwriters even have Wikipedia profiles on the Swedish version. I'd like to say this is leading to INTRIGUE and MYSTERY, but he has a few songs on Spotify and they're all terribly earnest guitar pop beige, so he's probably just filler to hit whatever quota they've set themselves that can't have one of G:Son, Jimmy Jansson or the DEBS on the credits. Oh well!

6. SCARLET - Sweet 'N' Psycho
Dino Medanhodzic, Scarlet Hunts, Thirsty, Jimmy "Joker" Thörnfeldt, Anderz Wrethov
Scarlet.jpg


Reader, I must confess an unpopular opinion that I found this duo's entry last year to be absolute pissdribble, but it was evidently popular with others, and objectively robbed of a position in Andra Chansen, so I can't begrudge them getting an apologetic pimp slot this year in recompense. Probably the last chance for something to emerge that might give Måns a run for his money, but I'm not really seeing a world where that happens. Other than that, I can't really think of much to say about it - I just think they're rubbish! Sorry, I probably should have just rented out the space for this write-up to @ButterTart.
 
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Quietly hoping for a 4/6 hit rate in this heat to at least claw back some dignity for this write-off of a year songs-wise!
 
Scarlet and Arvinga seem fairly likely for the top two. I guess third could go anywhere, depending on the extent to which Sticky Vicky makes a complete fool of herself. :disco:
 
This absolutely looks like a photo of a real human person and not at all like an AI-generated image merging the faces of Victor Crone, Paul Rey and Frans.
He does seem to have an unnaturally large head.
 
Circus X was the defining moment of Melodifestivalen last year and I’m touched that @VoR called it pissdribble, which in Xhosa means ‘peerless idol to gay-interest chat longes’
 
Nobody wants ME on their side but I too thought it was rubbbish.
 
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It was the glorious final 30 seconds that made me sit up and take notice; more of the same this year please.
 
The stage show was great, but I just thought there was no song there. Hopefully they've levelled up a bit, as it all felt a bit gimmicky and fur coat/no knickers.
 
The stage show was great, but I just thought there was no song there. Hopefully they've levelled up a bit, as it all felt a bit gimmicky and fur coat/no knickers.
Surely they have to have something great to have been given the final song of the final heat (although that may not be the pimp slot it once was).

Or is it more of an Anton Ewald Natural situation?
 
Surely they have to have something great to have been given the final song of the final heat (although that may not be the pimp slot it once was).

Or is it more of an Anton Ewald Natural situation?
Song 6 each week this year has ranged from a bit shit to extremely shit, which is the only thing worrying me.
 
Some of you have never clearly never been trapped in Circus x and it shows
 
I'm still quite intrigued to see what the model for heat five is generally gonna be from now on. Obviously last year it was the big one they put the eventual top two in, but my sense from Måns getting the pimp slot of heat 4 is that heat 5 might generally be more of a 'let your hair down' party affair while the real contenders are still usually held for heat 4 to let them build up a two week head of steam on streaming/radio/YouTube
 
I'm still quite intrigued to see what the model for heat five is generally gonna be from now on. Obviously last year it was the big one they put the eventual top two in, but my sense from Måns getting the pimp slot of heat 4 is that heat 5 might generally be more of a 'let your hair down' party affair while the real contenders are still usually held for heat 4 to let them build up a two week head of steam on streaming/radio/YouTube
You said that last year.
 
Yes and now I said it adjusting for this year / the things we've learned since :disco:
 
Initial reviews are in

Arvingarna
Unsurprisingly, basically the same as their last two, though possibly even more of a throwback. Likely to do well because the Swedes love them and they're great performers, but nothing unexpected.

Arwin
A very big production in the style of Tell The World I'm Here and Bigger Than The Universe. Possibly too big for such an untested performer, but has potential to do well.

Saga Ludvigsson
More country music, but much more lively than Tennessee Tears, and not as full-blown novelty as Dolly Style. Comparisons to Ain't No Good by Mimi Werner. Good fun, but little sense from the reviews that it's seriously competitive.

Victoria Silvstedt
Padam-era Kylie verses meet a big 90s chorus. Clearly exclusively aimed at ageing homosexuals. :disco:

Vilhen Buchaus
Some say this is acoustic drear, others that it sounds like something that could be a massive hit outside Melfest and the best 'real music' entry this year. Almost certainly not for us, but not a write-off by any means.

Scarlet
Retains their theatrical style, but with a much stronger song underneath. One review compared it to Vanilla Ninja from Estonia 2005.
 
4. Victoria Silvstedt - Love It!
(Thomas G:son, Jimmy Jansson)
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Now we're talking :disco:
We certainly are :disco: I’ve just listened to an interview with her where she exclusively reveals:

*she has no idea what she’s doing
*she woke up the other night trying to remember her left and right
*she’s most looking forward to having shots of tequila at the afterparty
*her favourite this year is Klara
*her performance has a catwalk

VICTORIA UP!
 
5. Vilhen Buchaus - I'm Yours
(Vilhelm Buchaus, Elias Edman, Jonatan Lahti, Simon Alexander Ward)

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Nothing much is known about this cheerful looking gentleman.
lots terrifyingly predicting this could take the whole thing
 
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Btw just to be clear in case anyone misunderstands this comedic masterpiece, the point of this skit is to say that Victoria is a highly intelligent businesswoman who knows how to act and pull stunts to get money and fame - so I think we should bear this in mind during her catastrophic Saturday performance :disco:
 
We certainly are :disco: I’ve just listened to an interview with her where she exclusively reveals:

*she has no idea what she’s doing
*she woke up the other night trying to remember her left and right
*she’s most looking forward to having shots of tequila at the afterparty
*her favourite this year is Klara
*her performance has a catwalk

VICTORIA UP!

I hope this was immediately followed by a muttered cellphone conversation about the standard rate for a 15 minute PA at Patricia and the progress in negotiating a 360 degree media deal with SVT.
 
Btw just to be clear in case anyone misunderstands this comedic masterpiece, the point of this skit is to say that Victoria is a highly intelligent businesswoman who knows how to act and pull stunts to get money and fame - so I think we should bear this in mind during her catastrophic Saturday performance :disco:

Seriously, no one does it like Christine Meltzer, what a legend.
 

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