Why vespertine prefers
Black Christmas to
Halloween:
Halloween is more iconic and gave us the archetypal slasher villain, and I DO love it, but mostly because it is so expertly shot, lit, and staged. The soundtrack also does wonders for the film, and the ending is great.
But the acting, outside of JLC and Donald Pleasance, leaves a lot to be desired and so does much of the dialogue (the bit where Lynda goes on about Laurie's BOOKS for starters
). I find the characters are largely one-note stereotypes in Halloween, while the sorority sisters of
Black Christmas are intelligent, profane, hilarious, and complex.
Black Christmas is also the more suspenseful film: those phone calls might have started out as pranks, but they become FABULOUS in their intensity and are still genuinely freaky today. And the “quiet” ending of
Black Christmas, with just the ringing of the phone in the not-so empty house, was as good as
Halloween's.
If I watch them back to back I find there's more life to
Black Christmas. I mean, an abortion subplot in 1974!
Which also gives Jess depth. And the POV of the killer, the sense of evil getting closer and closer, the stylistic choice to show big empty rooms and dark spaces where he could be, and the long sequence from the time she is made aware of the danger to the time she finds the killer - these are things that
Halloween does very well, but
Black Christmas did just as well and arguably pioneered.