VoR
Take it or leave it
Random belated thoughts:
The Måns performance is very impressive, although the second half veers dangerously close to Michael Jackson at the BRIT awards territory. It's just begging for Sweden's answer to Jarvis Cocker (Shirley Clamp?) to run onstage and waggle their arse at him. But yeah, shame the song is so nothingy, but he's taking it. Poor Klara and her BUSY HANDS look very cheap by comparison.
KAJ isn't really for me, and I don't understand why they were dressed like they'd just got out of a networking event, but it fills an obvious space in the final lineup so I'm fine with it.
Poor Andreas. The rapid transition from overcome with joy at cracking the top four to sad resignation when Ella went to AC was like that scene in Vera Drake when the feds come in and expose her.
Nanne is a preciously daffy angel who must be protected at all costs.
Highlight of the night for me was the bit about the fake rival Melfest in 1994 featuring Ulrika Johnson, a young Jenny Silver and a haunted looking Anna Book from the lost years when she was presumably surviving on credit card fraud. I instantly want to watch the entire thing!
The Måns performance is very impressive, although the second half veers dangerously close to Michael Jackson at the BRIT awards territory. It's just begging for Sweden's answer to Jarvis Cocker (Shirley Clamp?) to run onstage and waggle their arse at him. But yeah, shame the song is so nothingy, but he's taking it. Poor Klara and her BUSY HANDS look very cheap by comparison.

KAJ isn't really for me, and I don't understand why they were dressed like they'd just got out of a networking event, but it fills an obvious space in the final lineup so I'm fine with it.
Poor Andreas. The rapid transition from overcome with joy at cracking the top four to sad resignation when Ella went to AC was like that scene in Vera Drake when the feds come in and expose her.
Nanne is a preciously daffy angel who must be protected at all costs.
Highlight of the night for me was the bit about the fake rival Melfest in 1994 featuring Ulrika Johnson, a young Jenny Silver and a haunted looking Anna Book from the lost years when she was presumably surviving on credit card fraud. I instantly want to watch the entire thing!
Last edited: