funky's journey through the 90s (again, again)

As sad and stagnant as the hot 100 is these days it’s probably infinitely more representative of popularity than it was in the early 90s!

This is the sad irony really because it’s the same in the UK. During the peak of the CD era there were so many artificial hits from freebies and clever discounting and multiple formats and we were all moaning that the chart should reflect musical trends not retail stunts.

Now it does and it’s horrible! Be careful what you wish for.

There was a time in the UK when they thought about including airplay in the charts and we all thought that was a horrible idea. Now I’m not so sure.
 
Good God the speed of this thread! (Not a complain, I'm impressed) Most interesting thread here in ages, I have so much to comment but from the hospital (not me who's hospitalized) is complicated. I'll try later.

It’ll probably slow down when I get to end of 91 because that’s where I had gotten up to before I realised I could be documenting it on moopy. Determined to keep going though, it’s going so well!
 
About En Vogue's Hold On, I found an online debate about a slightly different version :eyes:

I used to have the cassette single for En Vogue "Hold On," but it's long gone. However, if my memory hasn't failed me, I remember a difference between the cassette single and LP versions that I have a question about.

On the cassette single version, I recall that the song was exactly the same as the LP version, with the exception of one line. On the fadeout of the cassette single version, the lyrics are:

"He'll be there for you; he'll want to f*** you all the time."

Later, I purchased the full-length CD, and these lyrics are changed to "he'll want to have you all the time," which matches the "Radio Version With Intro" from my 12" single.

God knows if that's true, but most of those charts geeks believe so, even when nobody has any copy of it :D:disco:
 
June 9

88 — COULD THIS BE LOVE –•– Seduction
This will be the 4th and last top 40 hit for Michelle Visage with her group. She will chart a couple of years later with another proyect, but she had a dance hit this year with TKA (a freestyle group who had some success for a few years). The song is fun (the chorus is terrible), and she's introduced in the song as "the blonde bombshell of Seduction". You might expect something more than Miss Visage sitting static on a chair. Well, she couldn't move at all because she JUST got new tits :disco:




June 30

93 — COME BACK TO ME –•– Janet Jackson

That's an unusually low entry for Janet Jackson here; don't know whether it was on limited or part release until the following week. No matter it still eventually went to #2!
That's very unusual indeed, record companies were obsessed with HIGH DEBUTS, I think it was more a superstition than anything else, because climbing 50 spots the second week would guarantee a mention too. And I'm not sure why, but debuts in the Hpt 100 at #100 were extremely rare back then, you won't find any in 1990 and you'll have to wait untill 1993 to find the next one. I can imagine a big artist having a heart attack if debuting at the bottom of the chart, so they probably did anything to avoid that;D
 
"Alright" by Janet was just that, only alright, but the video was amongst her best.
Alright is fantastic! And I was gonna say probably her best video, but then remembered Love will never do is perfection.

About the video, this is something so weird I spotted back in the day:

The baker @ 1'19" in the video...



That excerpt from the original Alright video was randomly used in a beer commercial a few years later! No idea if it was just in Spain. (44")

 
Alright is fantastic! And I was gonna say probably her best video, but then remembered Love will never do is perfection.
I'd put the videos for "When I Think Of You" & "The Pleasure Principle" up there as well :disco:
 
This song was A MOMENT back in the day. Huge at the skating ring :D

Fun tidbit about her : she was managed by the same guy that had NWA and was signed to their label so she got tangled up in early East Coast/West Coast rap beef and she was mad about it.

View attachment 33530
Wasn't her manager her later husband Dr. Dre? Back in the day, guys like NWA and Dr. Dre were a no no in any pop stage, but the success of No More lies opened the door for Dr. Dre to places where we wouldn't have been invited if it wasn't for Michel'le. I saw that in an interview ages ago and it made total sense.

I recomend Surviving Compton, that tells the horrors of this poor woman. If you're not going to watch it and want a summary, I recommend the very Moopy friendly short interview with our Wendy:



They treated her like shit :( I wonder if having the voice of a 5 years old girl had anything to do with it, because they treated her like if she was stupid, and I don't think she was.
 
Hot 100 definitely favored the adult contemporary pop more so than later in the decade. This is presumably due to the Hot 100 excluding urban/R&B/country formats in its formula still. WP’s #1s (Hold On aside) and others like Promise of a New Day always baffled me a bit.
This is absolutely true. Before the change (November 30th, 1991), the Hot 100 was heavily based on top 40 stations, that played mostly pop and AC songs. The airplay chart was compiled from phone calls to those radio stations and they read a handwritten sheet with the top hits in the station; it didn't mean they were exactly ordered by most plays that week. For the sales it was also phone calls to a selection of record shops. That's why you can find (those years) r&b artists that sold hundreds of thousands of singles before they crossover to the hot 100, or they actually never made it. I suspect they probably sold them in "r&b record shops" that were only compiled for the black charts (they changed later this 1990 their name to r&b charts). That's why even when it seems En Vogue only had one hit from their debut album and that's it, it'd all lies, they were very popular and sold a lot of singles. Had 4 top 5 hits in the black singles chart and even had a remix album, they were much bigger than what the Hot 100 reflects.
 
Artists that debuted this year and din't get a mention, but deserve one for different reasons.


No myth - Michael Penn

This 1990 saw the debut of actor Sean Penn's brother. I guess not Moopy cup of tea, but I really like No Myth. He was named best new artist at the MTV VMA but that was it, no more hits. He died quite young, poor man.




Notice me - Nikki

Another one hit wonder, a totally forgotten hit, it peaked at #21, and I just bring him here because about 2 decades later he married another singer you all know: Martika :disco:




Mentirosa - Mellow Man Ace (INCEST ALERT)

After the success of La isla bonita & Who's that girl, someone saw the potential of doing a proper Spanglish song, that would do well with the ever growing Spanish community in the US. The very first 100% Spanglish hit was Kid Frost's La Raza, that fell shy to make the top 40 (#41 I believe) in 1990, but it was a Cuban rapper that had the first big hit (the single went gold) a few months later. Mentirosa is a very sexist song, with one of the most recognizable samplings ever, where language changed every line (you'll need the video that include subtitles to understand it all). Most of you won't like it anyway, don't bother. I remember he did a live performance on tv that little Alla remembers as soft porn. Well, I found out later that the woman that did those sexy shows with him (I think it's the same one in the video) was his sister! There is also on youtube another performance on US tv, very creepy. I'm convinced they had something going on, those siblings were closer than Angelina Jolie and her brother.




Sending all my love - Linear (Outrageous plagiarism)

Does anyone remember this? Probably not. This pop/freestyle song was a top 5 hit the Spring of 1990. Remembered as a one hit wonder, but they actually had another top 20 years later.



Well, they were one of many songs that were blatantly plagiarized by Bollywood. Apparently this was something very common back in the day. I don't know if they thought in a world pre-internet nobody was going to find out, but it's absolutely shocking. It's exactly the same music, you would think it's a cover, but the songwriters get no credits. The audacity, my goodness :D:disco: There are quite a few more cases like this, it's unbelievable.




Jude Cole

1990 also saw the debut of another (not very Moopy friendly I guess) singer, Jude Cole, who had 2 top 40 hits. The album is not bad. I just bring him here because he's the guy behind one of the biggest hits of the 00s in USA, Lifehouse's Hanging by a moment.

My favourite is his second hit, Time for letting go. He went to release a few more albums with very success.





Holding my heart - Bang

And finally, this Greek duo represented their country in Eurovision in 1987 and tried the American dream with a very radio friendly pop song that made the Hot 100, but stalled at #93, and that was it for them

 
Last edited by a moderator:
About cds in US: I remember reading in Billboard that 1986 was the first year that cds outsold vinyls in USA.
 
About En Vogue's Hold On, I found an online debate about a slightly different version :eyes:



God knows if that's true, but most of those charts geeks believe so, even when nobody has any copy of it :D:disco:


I don't believe a WORD of this but it's a lovely legend all the same :D at least TWO of the ladies were god-fearing women if I remember correctly! Plus the label would never have risked radio blackout in the crucial debut single. This is AMURICAH!
 
This will be the 4th and last top 40 hit for Michelle Visage with her group. She will chart a couple of years later with another proyect, but she had a dance hit this year with TKA (a freestyle group who had some success for a few years). The song is fun (the chorus is terrible), and she's introduced in the song as "the blonde bombshell of Seduction". You might expect something more than Miss Visage sitting static on a chair. Well, she couldn't move at all because she JUST got new tits :disco:

I had no idea Michelle Visage was in this group! I knew about the other group, but not this one.
 
This is absolutely true. Before the change (November 30th, 1991), the Hot 100 was heavily based on top 40 stations, that played mostly pop and AC songs. The airplay chart was compiled from phone calls to those radio stations and they read a handwritten sheet with the top hits in the station; it didn't mean they were exactly ordered by most plays that week. For the sales it was also phone calls to a selection of record shops. That's why you can find (those years) r&b artists that sold hundreds of thousands of singles before they crossover to the hot 100, or they actually never made it. I suspect they probably sold them in "r&b record shops" that were only compiled for the black charts (they changed later this 1990 their name to r&b charts). That's why even when it seems En Vogue only had one hit from their debut album and that's it, it'd all lies, they were very popular and sold a lot of singles. Had 4 top 5 hits in the black singles chart and even had a remix album, they were much bigger than what the Hot 100 reflects.

Let's make sure we COVER THIS when I get to November 91!
 
It's weird I know nothing of this Michel'le singer when she not only had a Top 10 hit with an R&B tune in the 90s but also had some drama with it too.

Very weird as you say that she might have inadvertedly had a hand in letting Dre break through into more commercial corners of the industry and thus beginning his illustrious career as a producer. So many of these acts from the 90s have such dubious circumstances linked to their success...
 
About cds in US: I remember reading in Billboard that 1986 was the first year that cds outsold vinyls in USA.
I had no idea CDs were that prolific that early or do you mean cassettes
 
September 1990

#1s


IF WISHES CAME TRUE –•– Sweet Sensation (1 week)
BLAZE OF GLORY –•– Jon Bon Jovi (1 week)
RELEASE ME –•– Wilson Phillips (2 weeks)
(CAN’T LIVE WITHOUT YOUR) LOVE AND AFFECTION –•– Nelson (1 week)

Charts moving much faster again now... ANOTHER girl group that passed me by is Sweet Sensation and honestly I had no idea that America had embraced girl groups with such mainstream success at the turn of the decade, and more interestingly they were all replaced by R&B girl groups by about 1992. These were all pop groups that dabbled in R&B, freestyle, swing and soft rock, and as was common at the time, saw most success from gloopy ballads like this



It's interesting to think that this sound was completely dated in just a couple of years - a reminder of the impact and influence En Vogue and later TLC had on the 90s girl group scene.

I had a hard time trying to find information on "Blaze Of Glory" until I realised that it's classed as a solo song, not from the band Bon Jovi (confusing). Turns out he only had 2 albums solo across his whole career. This one was a huge success, although this track only went to #13 in the UK. I'm not really a fan but I do really like this song!

Wilson Phillips cementing themselves as a 90s sensation (for now) with a second number one.

Nelson are filed under metal but they are anything but - pop-metal if that is indeed a genre, and typical of the time for a band that had great success almost entirely on the back of big swooping ballads that are anything but rock songs. I'm not even going to share the song because it's that crap, and not when an image of them is far more fun:

a5e2_2.jpg

I'm pretty sure that this image is not ironic. They look like they're auditioning for Lord Of The Rings. Interesting fact for music historians - Spotify tells me they're the twin sons of 50s pop legend Ricky Nelson. Well there you go.

Despite Prince releasing probably his least remembered album before he left Warner (unless you count Come) he was coming off the success of the Batman album and so the lead single from Music From Graffiti Bridge actually did very well, peaking at #6 this month (#7 UK):



Unfortunately the album didn't sustain and follow up single "New Power Generation" peaked at #64 (#26 UK), his lowest charting single in 10 years. Luckily for him, he would rebound BIG in 1991.

Johnny Gill continues a good run after his smash breakout single - "My My My" peaks at #10. It's the inevitable ballad follow up but it's actually good - he has a great voice!



Discoveries:

I think I discovered this properly in my UK project, but this deserves a mention, it's been on heavy rotation again this year:



From the movie Uncle Buck, it's one of the best uses of a song in 80s Hollywood (John Hughes was always great with his soundtrack choices). It's a great track with a great voice, and stands out as an original and fresh R&B sound, but it didn't do anything, only peaking at #92 in the UK.

Lalah Hathaway (son of Donnie) is someone I was familiar with from the peak of the 2000s neo soul era, but apparently she debuted in 1990 with this wonderful track:



The piano! The strings! Lush early 90s R&B. This scraped into the Hot 100 at #89 but was an R&B smash at #3.

Every now and again a hard rock song will come along that I really do like, and I enjoyed discovering this due to its obvious R&B and bluesy roots:



Not familiar with Slaughter at all, but this was from their debut album and peaked at #19. Clearly they emerged a bit late as this sound was about to be obliterated by the likes of Pearl Jam and Nirvana.

From the UK - OK, this was an interesting find!



I'm very familiar with Lonnie Gordon's "Happenin' All Over Again" - not my vibe, very SAW but a good track all the same. This follow up I don't remember - Wiki tells me that SAW considered this one of their best songs ever, and were disappointed with its performance (#48 UK, didn't chart in the US). They tried again with Sybil in 1993 apparently, and managed #41. Maybe with Lonnie the song was mismatched, as it doesn't sound very typical of the sound that SAW had become known for, in fact it sounds more like their 80s output which was more R&B influenced. I think this is GREAT.

A dance discovery which makes me wonder how I've lived this long without it...



What a SUPERB slice of handbag, uplifting and euphoric with a great vocal. This needs to be put on Spotify NOW. I knew of BBG because "Snappiness" (UK #28) was a major Ibiza/chillout anthem appearing on lots of compilations in the 90s. This only hit #65 so I must have missed it.

Loose Ends are a pretty well known UK Soul Act from the 80s, predating Soul II Soul and famous for the classic track "Hanging On A String" in 1986 which was a smash on both sides of the Atlantic. I was not aware however of this comeback from 1990:



It peaked at #13 in the UK (really?) and it turns out they have 12 Top 75 singles in the UK, which is interesting because they absolutely don't seem to have any legacy in R&B apart from the "Hanging On A String" track. Anyway I do like this.

Notable new entries (US):

September 1

41 — PRAYING FOR TIME –•– George Michael
68 — FEELS GOOD –•– Tony! Toni! Tone!
85 — VIOLENCE OF SUMMER (LOVE’S TAKING OVER) –•– Duran Duran

September 8

62 — SUICIDE BLONDE –•– INXS
72 — ICE ICE BABY –•– Vanilla Ice
94 — L.A. WOMAN –•– Billy Idol
95 — HIPPYCHICK –•– Soho
99 — OOOPS UP –•– Snap

September 15

37 — BLACK CAT –•– Janet Jackson
73 — LOVE TAKES TIME –•– Mariah Carey
96 — GROOVE IS IN THE HEART –•– Deee-Lite

September 22

3 — STRANDED –•– Heart
93 — HEART LIKE A WHEEL –•– Human League
95 — SOUL INSPIRATION –•– Anita Baker

September 29

44 — PRAY –•– M.C. Hammer
54 — THE BOOMIN’ SYSTEM –•– LL Cool J
69 — SO CLOSE –•– Daryl Hall & John Oates
98 — LIVIN’ IN THE LIGHT –•– Caron Wheeler

The new era of George Michael is upon us. In retrospect, a strange choice of comeback after the funk and dance filled Faith album, but it was very much a taster of what was to come in his 'introspective era' which did of course piss off Sony no end and led to years of clashes and the dumping of what was meant to be his third album after this, LWP Vol 2. What could have been... Yes the album lacks bops, but Sony should have just taken a minute to realise the album is AMAZING. Fools.

Tony Toni Tone were an R&B group I just couldn't get into, but they had MAJOR success in the US and might actually be the second or third biggest male group of the time (after Boyz II Men and perhaps Jodeci). Strange because I LOVE lead singer Raphael Saadiq, who went on to have great success as a solo artist and produce for some major artists.

Duran Duran is a band that I have no memory of in the 90s, and while they didn't maintain their peak they did have a good run to go yet. No idea about this song. The exception is "Ordinary World" which is a great song.

YAY for Hippychick. I had no idea that crossed over in the US. I loved that song and was one of my first single purchases.

Another month, another Janet debut. She really did want to beat her brother's record didn't she?

"Groove Is In The Heart" marks the beginning of a WONDERFUL era of commercial disco house that influenced many artists through the 90s, including Kylie. The next 2 years in particular is full of this sort of stuff and I loved it at the time and still do now.

This project has reminded me how awesome LL Cool J was in his imperial era. So many great tunes by him, including this.
 
Last edited:
Slaughter were a late in the game hair metal band that did very well on MTV because the lead singer was pretty hot at the time and had a great voice.

They would of course be obliterated by the grunge movement pretty soon after. They actually released albums the entire decade and still perform together.

That debut album cover has become pretty iconic in the genre as well.

IMG_0562.jpeg
 
“If Wishes Came True” is a great song and they also released a fun cover version of “Love Child” that did pretty well chart wise.

I also really like their debut album from 1988
 
I had no idea CDs were that prolific that early or do you mean cassettes
I meant cds! I was shocked too, I doubt that happened in Europe until early 90s. A quick search tells me it was indeed 1986, which is super fast, given they started selling in 1982.
 
Nelson were called "the girls" and not in an ironic way. They weren't taken very seriously but their debut album was xery successful, with 4 top 40 hits. I actually like most of them, but I like anything from this music era, i'm that easy.

Sweet Sensation quite a few hits, as Joseph says their first album is great, with a couple of top 40 hits. "Hooked on you", "Sincerely yours" and "Take it while it's hot" are all bangers, i still play them a lot. Their cover of "Love child", #13 earlier this 1990, is quite good too. Unfortunatelly "If wishes came true" (quite an unexpected #1 that nobody saw coming) was their last top 40 hit. I love the follow up "Each and every time", but it flopped. I still don't understand why they didn't bother with a video for the follow up to a #1 song :eyes:
 
Slaughter were a late in the game hair metal band that did very well on MTV because the lead singer was pretty hot at the time and had a great voice.

They would of course be obliterated by the grunge movement pretty soon after. They actually released albums the entire decade and still perform together.

That debut album cover has become pretty iconic in the genre as well.

View attachment 33555
Up all night and Fly to the angels, their biggest hits, both from 1990, are still on rotation in Alla's ipod.
 
Any reason why that Heart song (which I've never heard of) debuted as high as number 3? That was an incredible rarity in those days.

I'd never heard of Nelson (although :D at the peak of hair metal picture - it's why grunge 'ad to 'appen) nor of Sweet Sensation (although I'm pretty sure a male vocal group with the same name topped the UK charts in the 70s with a song called "Sad Sweet Dreamer").

The Jon Bon Jovi song is one of his better efforts but my opinion of him is coloured now by what a COMPLETE NOB he seems to be in Sylvia Patterson's book.
 
I didn't know that Soho song hit in the US before the UK - a forgotten BANGER :disco: they were backing singers for someone famous I think, Jimmy Somerville perhaps?

Deee-Lite obviously a classic. Unfairly thought of as one hit wonders when all 3 albums are filled with great songs. Kier really should be a bigger musical icon than she is.

"Suicide Blonde" by INXS was about Kylie IIRC.

I remember seeing that Loose Ends song climb the UK charts aged 7 & being BAFFLED as I found it so dull - that Soul II Soul sound really was huge in 1990. Note also Caron Wheeler getting a solo hit debuting towards the bottom rungs of the chart.
 
Any reason why that Heart song (which I've never heard of) debuted as high as number 3? That was an incredible rarity in those days.

The Jon Bon Jovi song is one of his better efforts but my opinion of him is coloured now by what a COMPLETE NOB he seems to be in Sylvia Patterson's book.
He missed a number because Stranded peaked at #13, not checking but i'm positive.

I remember one of the top porn actress from the 80s having a small role in that Jon Bon Jovi movie. Wasn't that a thing in the 90s? Another one had a supporting role in Melrose Place, i think
 
Slaughter were a late in the game hair metal band that did very well on MTV because the lead singer was pretty hot at the time
Having had a quick scan on Google Images (never heard of this band either) it's a NO from me, although it does look a little like he's a refugee from a boy band given a hair metal haircut & thrown into a rock group :D
 
I didn't know that Soho song hit in the US before the UK - a forgotten BANGER :disco: they were backing singers for someone famous I think, Jimmy Somerville perhaps?
Were they? Had no idea. Hippychick is fantastic!

Soho, Nelson, the Lightning Seeds... the US chart in 1990 was full of twins. Next year we even have triplets :disco:
 
Were they? Had no idea. Hippychick is fantastic!

Soho, Nelson, the Lightning Seeds... the US chart in 1990 was full of twins. Next year we even have triplets :disco:
Actually I think I'm getting them mixed up with another female duo Banderas who had a dancey hit at the same time with "This Is Your Life".

There were twins in the Lightning Seeds? :o I thought it was just Ian Broudie plus some session musicians.
 
Actually I think I'm getting them mixed up with another female duo Banderas who had a dancey hit at the same time with "This Is Your Life".

There were twins in the Lightning Seeds? :o I thought it was just Ian Broudie plus some session musicians.
"This is your life" was an airplay hit here, I remember it.

Ok i'm probably confusing L. Seeds with another band, there definitely was one where 2 members were twins.
 
Billy Idol hit number 2 in the USA in 1990? With a song I've never heard of? That's the first big surprise for me so far.
It's from the soundtrack of a not very successful movie, later he released a full album. The success of the song is thanks in part to heavy rotation of the video on MTV. The blonde model in it helped a lot. He had a terrible motorbike accident just before filming, so they had to figure out how to feature him on screen. You can't see much more than Billy's head.

And Cradle of love is fantastic, yes.
 
No myth - Michael Penn

This 1990 saw the debut of actor Sean Penn's brother. I guess not Moopy cup of tea, but I really like No Myth. He was named best new artist at the MTV VMA but that was it, no more hits. He died quite young, poor man.

Michael Penn is not dead. He moved into scoring TV shows and movies. You might be thinking of Chris Penn, his brother, who died at 40.
 
Nelson were called "the girls" and not in an ironic way. They weren't taken very seriously but their debut album was xery successful, with 4 top 40 hits. I actually like most of them, but I like anything from this music era, i'm that easy.

Their voices aren’t bad and the songs are decent but they looked a fool even in those days. Nobody at school took them seriously. They were “The Girls” or “The Lesbians” in my group of school mates. :D Even the stoner girls who fell out over the likes of Axel Rose or Sebastian Bach were like fuck no
 
Michael Penn is not dead. He moved into scoring TV shows and movies. You might be thinking of Chris Penn, his brother, who died at 40.
Oh dear! I didn't check it because I was so convinced, I killed him ages ago. Sorry for his brother but glad he's ok.
 
October 1990

#1s

CLOSE TO YOU –•– Maxi Priest (1 week)
PRAYING FOR TIME –•– George Michael (1 week)
I DON’T HAVE THE HEART –•– James Ingram (1 week)
BLACK CAT –•– Janet Jackson (1 week)

Lots of movement again this month as some newcomers shuffle the chart around, including George Michael who took a speedy 6 weeks to hit number 1, as opposed to the 14 weeks it took Maxi Priest. Established artists were definitely still heavily favoured at the time and it usually took newer or breakout artists a lot longer to ascend (with some exceptions). James Ingram knocking George off after just a week is an ODD occurence though - I like James Ingram but that song has no historical significance at all, unless it's just a US thing. It didn't chart at all in the UK.

Janet Jackson getting to #1 with her SIXTH single from the Rhythm Nation album (sixth! Imagine that today) and bizarrely it wasn't even the last single OR the last #1 from the album. For whatever reason, this humungous album was met with a resounding MEH in the UK, which corresponds to my complete lack of knowledge of it until more recent years (and being pleasantly surprised at how good it is). It's especially odd considering both of the albums either side of it were big hits in the UK, and those I do remember. It was like she went on hiatus for a few years in Europe. Here is the singles run down with US / UK chart positions:

Miss You Much122
Rhythm Nation223
Escapade117
Alright420
Come Back To Me220
Black Cat115
Love Will Never Do Without You134

I had to check why the big 2nd single title track didn't hit number one - it was held off for 2 weeks by Phil Collins's "Another Day In Paradise". Like him or not, that really was a HUGE song.

I'm believing more and more about this adult pop pre-1991 theory - apparently Paul Young of all people had a top ten hit in 1990 with a song called "Oh Girl"... no idea. I know he was absolutely massive in the mid 80s but honestly thought it was short lived. Good for him, I guess.

Black Box have a Top 10 hit with "Everybody Everybody", although I'm looking at Wiki and it turns out that "Ride On Time" did not make the Top 100, which is ODD. I have to assume it wasn't released as a single there at all, because they managed three other hits (including 2 top 10s) from that album with other singles, and "Ride On Time" was the biggest song of 1989 in Europe, so there had to be a reason. I'm wondering if, by the time they were due to take the album to the US, the scandal and court case had already erupted and they thought it best to not make it any worse, especially if Miss Martha Wash was now (quite rightly) receiving royalties for the song. 1989 really was the year that pop producers said "fuck real singers" and it backfired royally in 1990...

INXS hit the Top 10 with their lead single from their 7th album X, although to those of us uninitiated this was really their 2nd album, because they weren't that well known before the previous juggernaut album Kick, which is a fucking fabulous album by the way. Turns out that for all their popularity and press around this time, they were actually even bigger in the US than the UK, managing six Top 10 singles from those two albums alone. "Suicide Blonde" is a great song, but I like "Disappear" more.

Mariah Carey has managed another smash as her big ballad follow up "Love Takes Time" climbs to #5.

Over to the UK, where I think I need to introduce a new section called DANCE HIGHLIGHTS because this era is just so nostalgic. Here is a couple of classics for October:




Discoveries

I have a feeling that the Hot 100 is going to introduce me to so many R&B deep cuts and I'm very excited. This popped up this month, and it sounds like a male response song to En Vogue, very similar sound. It's great:



This month's Soul II Soul rip off comes courtesy of this bop:



Also Innocence continue to be a massive discovery for me after diving into them properly during the pandemic. This month was the release of my favourite track of theirs:



Sade would be proud.

Notable new entries (US):

October 6

75 — FROM A DISTANCE –•– Bette Midler
80 — BECAUSE I LOVE YOU (THE POSTMAN SONG) –•– Stevie B
87 — TOM’S DINER –•– D.N.A. Featuring Suzanne Vega
88 — LET’S TRY IT AGAIN –•– New Kids On The Block
95 — WIGGLE IT –•– 2 In A Room
98 — BREAKDOWN –•– Seduction

October 13

62 — IMPULSIVE –•– Wilson Phillips
77 — MISSUNDERSTANDING –•– Al B. Sure!
90 — B.B.D. (I THOUGHT IT WAS ME)? –•– Bell Biv Devoe

October 20

42 — I’M YOUR BABY TONIGHT –•– Whitney Houston
79 — EACH AND EVERY TIME –•– Sweet Sensation
83 — AND SO IT GOES –•– Billy Joel
88 — FAIRWEATHER FRIEND –•– Johnny Gill
93 — SO HARD –•– Pet Shop Boys
96 — LOVE IS THE RITUAL –•– Styx

October 27

47 — MIRACLE –•– Jon Bon Jovi
53 — FREEDOM –•– George Michael
88 — JUST ANOTHER DREAM –•– Cathy Dennis
89 — LOST SOUL –•– Bruce Hornsby & The Range with Shawn Colvin
99 — HARD TO HANDLE –•– Black Crowes

"Tom's Diner" is another song I would not have expected to chart in the US.

"Wiggle It" is another one of those hip-house crossovers and I remember that being huge on the UK dance scene. I had the single. It's shit!

And it's time for Whitney Houston to grace us with her presence once again, after two monumental albums in the 80s. There must have been such huge pressure on this album, and it did of course relatively underperform. I don't think it has anything to do with overexposure but more to do with the album just being shockingly average. There are some absolute highs on it for sure but it really lacks the depth of a big pop album. The album did start off strong though as expected and to be fair the first two singles were BIG and the best on there.

The Cathy Dennis track is apparently a reissue after it failed to chart in 1989, and no doubt on the back of the successful D-Mob collaboration which reached #10 earlier in the year. The project ended up being a huge success with FOUR Top 10 singles (not bad for a UK debut!) including this which ended up peaking at #9



I've only just realised how much it owes to Madonna's "Vogue"...

The AUDACITY of The Black Crowes covering Otis Redding with "Hard To Handle" and actually doing a very good job of it!



This 2nd single went to #45 but hit #1 on the US Rock charts. The debut album Shake Your Money Maker ended up going 5x Platinum.
 
Last edited:
I think James Ingram just lucked out with the Mom Brigade over here because that song is pretty standard AC radio but you could not escape it at all. It was also nominated for a Grammy.

Now his 1982 #1 with Patti Austin was excellent “Baby, Come To Me”
 

Users who are viewing this thread

Back
Top Bottom