Classic Pop review
Louise – Heavy Love
8/10
It’s a smart operator who has the self-awareness to realise that if you’re launching a comeback, you can’t rely purely on nostalgia or the good will of old fans to make it a success the second time around.
That thought has clearly sparked a fire under Louise, and her fourth studio album – after 16 years out of the pop game – sees her return with a feistier attitude than before and an arsenal of precision-tooled material that hints at previous glories but mostly brings her sound bang up to date.
After compiling nigh-on 50 songs across 18 months for
Heavy Love, her considered approach has paid dividends. This is not an album that’s been rushed out of the door to capitalise on recent media interest in Louise’s personal life. However, fans – and even just prurient tabloid readers – will no doubt scour the lyrics for references to her ex-husband Jamie. They’ll find plenty to muse over but if there’s a consistent theme that emerges throughout
Heavy Love it’s that Louise is looking to the future rather than wallowing in the past.
Tracks in soul-baring mode include
Breaking Back Together, inspired by some post-split advice from her mother (“Diamonds only come from pressure” and “Tearing muscles makes them stronger”), the pulsing electro of
Small Talk and soulful pop of
Just A Minute, the latter an anthem of survival.
It’s clear, though, that Louise very much views this as a fresh start. A tepid, mumsy comeback was firmly rejected with
Stretch, a sexy slice of R&B raunch and one of the best singles of the past year. Its follow-up,
Lead Me On also included here, dazzles with a breezy Ibizan summery vibe. The itchy R&B of
Not The Same even boasts an irresistible hands-in-the-air chorus.
In our cover feature this month Louise tells
Classic Pop that she’d be quite happy to make a whole album of songs in the style of
Hammer, a funky nod to Jamiroquai. An LP standout and most recent single, we can only hope her record company are listening. It’s arguably the best thing she’s ever recorded.
Yet her finest vocal performance is reserved for the heart-on-the-sleeve and lump-in-the-throat closer
Wrong. A tear-jerking ballad clearly aimed at her ex-husband, it’s a cold heart that won’t be affected by this. Yet despite the lyrical barbs contained within, there’s defiance, too: “I thought that I was nothing without you… I was wrong.” This is a comeback, though, that’s making all the right noises.