HalamaK
User
Ashes to Ashes, Anna singing about her Rise Like a Phoenix is the perfect analogy for what purgatory she must've been through all these years
A career BORN and SMOTHERED in ONE GO
Bless you. As Sweden doesn’t. At all.i do
This thread is just a MESS; an act not quite having a breakthrough moment is not the same as career-destroying. Chuck in bashing of some of the most important Swedish women of all time and I just can’t.Guys this forum is for the CELEBRATION of people like Anna Book, we do not punch down on our queens here
You are ONE TO TALK You're one of the worst offenders for it on here!I agree.
There's a saying in Sweden, something akin to "don't kick those already rolling around the cutting room floor".
On a similar note, I believe this was considered a HOT FAVOURITE in advance.
Sadly an ill-timed bout of bronchitis left her vocal chords RAVAGED and she came in last, never to be seen again.
"Don't be afraid, let's *croak* hear your voice"
I know it was a weak year, but pleaseJanet Leon - Heartstrings
At one point she was the big favorite to win the entire competition.
Amanda was the reigning idol winner when selected and a hot pre-contest favourite. In the week leading up she was predicted to sail through by audience polling and music critics alike. She was the new, the edgy, the intriguing.
Show time and a vile Amanda finds herself blurping across the stage. Understandable as dark clothed trespassers is creeping up on her disguised as wobbly besmudged mirrors on wheels. She soon breaks down into a schizophrenic hollering state, hitting and splitting her trailing reflections. As the song comes to a close Amanda smiles wilfully into the camera. Her shattered image now a fitting allegory to her own ruptured career.
Now a real estate agent! Let’s all buy a nice lagom flatEddie Razaz - Alibi
Eddie was an interesting case as it was the first time MF launched an openly gay singer as a macho teenage idol. He hadn't been a pre-contest favorite but had steadily risen through the ranks on the back of solid press reviews and great audience polling in the week leading up to the deltävling. Armed with a Danny/David Lindgren reject and explosive dance routine there wasn't much that could nor did go wrong with his performance.
1 | "Alibi" | |
2 | Elin Petersson | "Island" |
3 | "En riktig jävla schlager" (A Proper Damn Schlager) | |
4 | "Dumb" | |
5 | "In and Out of Love" | |
6 | "Hon har inte" (She Hasn't) | |
7 | "Falling" | |
8 | "Heartstrings" |
Might this be the only time the three youngest singers all failed to qualify?Heat Three was really the best heat 2013 had to offer and literally the worst two went DTF, probably because they were also the most different to the straight-up ‘modern’ pop of the others. My therapist says that I need to stop finding rhyme or reason why the old schlager men went directly to the final when the old schlager women went out the week before - I’m not being funny but “On Top of the World” is one of the greatest entries of all time
Also in this heat I would like to pay homage to “Hon Har Inte”, which has some of the best lyrics the competition has seen. But Caroline is an acquired taste and maybe viewers felt like she kind of deserved it.
“In and Out of Love” would have made an amazing Eurovision entry, and “Heartstrings” is very cutie of the evening. But the toxic masculinity of “Put your favourite dress on girl” and oi oi lads was too strong a pull I guess
1 "Alibi"2 Elin Petersson "Island"3 "En riktig jävla schlager" (A Proper Damn Schlager)4 "Dumb"5 "In and Out of Love"6 "Hon har inte" (She Hasn't)7 "Falling"8 "Heartstrings"
Almost! But The Swedish Housewives also failed to qualify the week beforeMight this be the only time the three youngest singers all failed to qualify?
She was! Got the biggest hype from the jury in the pre listens. To be fair, Nordman is in the same category this year...I know it was a weak year, but please
Spiritually communing so hard with this postHeat Three was really the best heat 2013 had to offer and literally the worst two went DTF, probably because they were also the most different to the straight-up ‘modern’ pop of the others. My therapist says that I need to stop finding rhyme or reason why the old schlager men went directly to the final when the old schlager women went out the week before - I’m not being funny but “On Top of the World” is one of the greatest entries of all time
Also in this heat I would like to pay homage to “Hon Har Inte”, which has some of the best lyrics the competition has seen. But Caroline is an acquired taste and maybe viewers felt like she kind of deserved it.
“In and Out of Love” would have made an amazing Eurovision entry, and “Heartstrings” is very cutie of the evening. But the toxic masculinity of “Put your favourite dress on girl” and oi oi lads was too strong a pull I guess
1 "Alibi"2 Elin Petersson "Island"3 "En riktig jävla schlager" (A Proper Damn Schlager)4 "Dumb"5 "In and Out of Love"6 "Hon har inte" (She Hasn't)7 "Falling"8 "Heartstrings"
Amanda was the reigning idol winner when selected and a hot pre-contest favourite. In the week leading up she was predicted to sail through by audience polling and music critics alike. She was the new, the edgy, the intriguing.
Show time and a vile Amanda finds herself blurping across the stage. Understandable as dark clothed trespassers is creeping up on her disguised as wobbly besmudged mirrors on wheels. She soon breaks down into a schizophrenic hollering state, hitting and splitting her trailing reflections. As the song comes to a close Amanda smiles wilfully into the camera. Her shattered image now a fitting allegory to her own ruptured career.
20+ years of career and legacy shattered in one night. Bard's passive aggressive "press release" when La Camilla got fired was something else...
The greatest song EVER WRITTEN! (after I crowbarred that key change into it)Only YOU and I
We're the ONES TONIGHT
And we're FLYING high
Strong use of the word BESMUDGED